TOP Laureate Jenny Holzer

The 37th

Laureate

Painting

Jenny Holzer

Photo: Beatrice Moritz
This profile is presented as a record of the laureate at the time of receiving the award.

Biography

Born July 29, 1950 / Gallipolis, Ohio, U.S.A.

Since the late 1970s, when her Truisms and Inflammatory Essays were first posted anonymously around New York City, Jenny Holzer's work has challenged many of the conventions of traditional art, especially in the context of public spaces. Writing is the basis of Holzer's practice. To date she has written sixteen text series, from Truisms (1977–79) to IT IS GUNS (2018–22), and cowritten three collaborative texts. In addition to these, Holzer also draws on historical and documentary sources as well as the work of contemporary writers such as Wisława Szymborska and Henri Cole. She employs her chosen texts singly or in combination in her permanent works, installations, and projections.

Holzer was born in Gallipolis, Ohio. After attending high school in Ohio and Florida, she enrolled in Duke University's liberal arts program in 1968 and later attended the University of Chicago from 1970 to 1971. In 1972, Holzer completed her undergraduate work at Ohio University with a bachelor's degree in fine arts. In 1975, she entered the Master of Fine Arts program at the Rhode Island School of Design. During her MFA studies, Holzer moved to New York City to participate in the Whitney Museum's Independent Study Program, where she began her first series of public art texts. She completed her MFA in 1977.

Media employed in Holzer's practice vary. Writing is programmed into electronic signs, printed on posters and T-shirts, cast as bronze plaques, etched on silver, and carved into stone benches, floors, and sarcophagi. Her statements have appeared in news magazines and on billboards, automobiles, movie marquees, and websites, and have been projected onto facades, walls, water, and mountainsides. Her recent use of text ranges from silk-screened paintings of declassified government documents detailing prisoner abuse to poetry and prose in a sixty-five-foot-wide wall of light at the World Trade Center.

She has executed permanent installations for institutions such as the Toyota Municipal Museum of Art in Japan (1995), the Guggenheim Museum Bilbao (1997), the Bundestag in Berlin (1999), the Smithsonian American Art Museum (2007), Aria Campus in Las Vegas (2009), and the Louvre Abu Dhabi (2017). She has also created and contributed to memorials including Black Garden in Nordhorn, Germany (1994), BLACKLIST at the University of Southern California (1999), and You Have Given Me Love at the New York City AIDS Memorial (2016).

Among the awards Holzer has received are the Leone d'Oro grand prize for best pavilion at the 44th Venice Biennale (1990), the World Economic Forum's Crystal Award (1996), a Berlin Prize Fellowship from the American Academy in Berlin (2000), the Los Angeles Museum of Contemporary Art Award for Distinguished Women in the Arts (2010), the US State Department's International Medal of Arts (2017), and the University of Chicago's Rosenberger Medal (2019).

Her honorary degrees include doctorates from Ohio University, Williams College, the Rhode Island School of Design, the New School, Smith College, and the Pratt Institute.

Jenny Holzer lives and works in Hoosick, New York. She is represented by Hauser & Wirth, Sprüth Magers, and Kukje Gallery.

  • Installation for the Solomon R. Guggenheim Museum, 1989/2024

  • from Survival (1983-85), 1985

  • The Venice Installation: First Antechamber, 1990(detail)
    Venice Biennale

  • For the Academy, 2007
    Castel Sant'Angelo, Rome

  • Jenny Holzer, MONUMENT, 2008

  • Jenny Holzer, All Fall, 2012

  • Jenny Holzer, It Is Guns, 2018

  • Jenny Holzer, VIGIL, 2019

  • At her studio, Brooklyn, New York, May 2026

Installation for the Solomon R. Guggenheim Museum, 1989/2024
LED with blue, green & red diodes 16.375 x 1944 in. / 41.6 x 4937.8 cm
Text: Truisms, 1977-79
Installation: Jenny Holzer: Light Line, Solomon R. Guggenheim Museum, New York, 2024
© 2024 Jenny Holzer, member Artists Rights Society (ARS), NY
Photo: Filip Wolak

from Survival (1983-85), 1985
Electronic sign
20 × 40 ft. / 6.1 x 12.2 m
Installation: Selection from the Survival Series, Times Square, New York, 1985
© 1985 Jenny Holzer, member Artists Rights Society (ARS), NY
Photo: John Marchael

The Venice Installation: First Antechamber, 1990(detail)
Venice Biennale
Photo: Salvatore Licitra

For the Academy, 2007
Castel Sant'Angelo, Rome
Text: The Joy of Writing from View with a Grain of Sand by Wisława Szymborska,
© 1993 by the author. English translation by Stanisław Barańczak and Clare Cavanagh, © 1995 by Harcourt, Inc. Used with permission of the author.
Presented by the American Academy in Rome
Photo: Melinda McDaniel

Jenny Holzer, MONUMENT, 2008
22 LED signs with blue, red & white diodes
194.25 x 57.7 × 28.9 in. / 493.4 x 146.6 × 73.3 cm
Text: Truisms, 1977-79; Inflammatory Essays, 1979-82
Installation: LIKE TRUTH, Diehl + Gallery One, Moscow, 2008
© 2008 Jenny Holzer, member Artists Rights Society (ARS), NY
Photo: Vassilj Gureev

Jenny Holzer, All Fall, 2012
5 LED signs with blue, green, red & yellow diodes
103.5 × 95.1 × 103.5 in. / 262.8 x 241.5 x 262.8 cm
Text: US government documents
Installation: THE FUTURE PLEASE, L&M Arts, Venice, California, USA, 2012
© 2012 Jenny Holzer, member Artists Rights Society (ARS), NY
Photo: Joshua White/JW Pictures

Jenny Holzer, It Is Guns, 2018
LED truck, New York
Text: IT IS GUNS, 2018-23
© 2018 Jenny Holzer, member Artists Rights Society (ARS), NY
Photo: Paul Kamuf

Jenny Holzer, VIGIL, 2019
Light projection
Rockefeller Center, New York
Text: "So Many" by Zachary Suri, © 2019 by the author, from CNN Opinion (website),
September 5, 2019. Used with permission of the author.
Presented by Creative Time
© 2019 Jenny Holzer, member Artists Rights Society (ARS), NY
Photo: Filip Wolak

At her studio, Brooklyn, New York, May 2026
Photo: Beatrice Moritz © The Japan Art Association